Search results for "David Lynch"
showing 6 items of 6 documents
Comment Hollywood figure l’intériorité dans les films « hollywoodiens » de David Lynch, Lost Highway (1997), Mulholland Dr. (2001) et Inland Empire (…
2011
The article takes Zachary Baqué's study of Los Angeles in the films of David Lynch as a starting point to explore David Lynch's Hollywood movies. The author contends that the films offer more than a satirical representation of a corrupt, unhealthy system which threatens dreams and artistic creativity, or a parodic play on Hollywood genre and narrative conventions. Rather, Hollywood is a character, a presence, revealed as both horizontal and vertical, physical and abstract, evoking the city, the studio system, cinema and dreams, so that the satire, the visual motifs and clichés and the topography of Hollywood, and the references to Hollywood films, constitute a complex fabric of subjectivity…
The Death of the Subject in David Lynch's Lost Highway and Mulholland Drive
2003
International audience; Quel est le sujet de ces deux films qui ont suscité de nombreuses interrogations auprès du public lors de leur sortie, questions portant notamment sur la signification de la diégèse ? Nous avançons que ce n'est pas à ce niveau-là que l'on doit chercher le sens des films de Lynch. En fait, la mort du personnage comme sujet va de pair avec l'absence d'une histoire ; l'évolution du cinéma de Lynch montre que, si sujet il y a, c'est du côté du spectateur qui tient désormais le rôle de l'enquêteur que tenait les personnages dans les œuvres antérieures (Blue Velvet et la série Twin Peaks). Le sujet lynchien apparaît alors un véritable objet dans une composition qui se refl…
Disease and Anti-Naturalism in Raymond Carver's “Fat” and “A Small, Good Thing” and David Lynch's Blue Velvet
2005
International audience; This paper does not explore possible references to Carver in Lynch's films, but offers a comparative study of their representations of disease. Based primarily on a play between metonymy and metaphor, this aesthetic of contamination contributes to a critical discourse on naturalist thought. The first form of “anti-naturalism” is the deconstruction of what calls Charles Taylor “disengaged reason.” The second form is the questioning of the very “idea of nature.” These artists adopt what Clément Rosset calls an “artificialist” standpoint, the subject and the body being shaped, as Michel Foucault and Judith Butler would have it, by normative discourses and techniques. Co…
Twin Peaks: Fire Walk With Me (1992) and David Lynch's Aesthetics of Frustration
2010
This article focuses on Twin Peaks: Fire Walk With Me (David Lynch,1992), the prequel to the TV series produced by Mark Frost and David Lynch (1990-1991), which represents a turning point in Lynch's filmography. The author argues that the film's aesthetics frustrate viewer expectations, and especially the fan of the TV series, by addressing the issue of the film's relation to the TV series. Special attention is payed to the aesthetics of time passing and to the accumulation of unusual signs in the first part of the film, with reference to Deleuze and Michel Guiomar, and the way they lead the spectator, fan or neophyte, to expect something Fantastic to happen. The article then addresses the …
The Blues of David Lynch
2009
International audience; This article is an attempt to elaborate a typology of the color blue in the color films of David Lynch up to and including Mulholland Drive (2001). The color blue is considered alternately as light, matter or verbal language. The author studies the use, function, value and meaning of blue lighting, divided into static and flashing light, and of the blue objects in Blue Velvet (1986) and Mulholland Drive. The author shows how Lynch appropriates connotations Western culture, under the influence of Christian and romantic imagery, traditionally associates with the color blue in his cinematographic compositions. The author argues that this typology has bearing not only on…
Comment Hollywood figure l'intériorité dans les films « hollywoodiens » de David Lynch, Lost Highway (1997), Mulholland Drive (2001) et Inland Empire…
2010
en cours de publication; L'article prend comme point de départ les travaux de Zachary Baqué, traite "Lost Highway" (1997), "Mulholland Drive" (2001) et "Inland Empire" (2006) et contient un grand nombre de micro-analyses reliées entre elles. Il montre la complexité de la fonction structurante de Hollywood comme lieu, mythe et système dans les 3 films.